Write What You Know? No, Don’t (With Full Apologies to the Literary Orthodoxy)

I’m not going to straight up differ with the deep rooted, very much worn proverb to compose what you know. I do, notwithstanding, need to go out on a dainty appendage and offer a slight turn on it. We’ll consider the turn Maugham’s Amendment, which states: “Extrapolate and interject from what you know.”

In the event that I had restricted my composition to the first saying of composing what I know, I was unable to have had a key character in my first novel experience a point by point understanding of death. All things considered, I haven’t passed on so I don’t “know” the experience. I’ve never met a being from outside of earth (supposedly), yet extraterrestrials assume a noteworthy part in my subsequent novel. Once more, I was unable to make a physical portrayal or the mind of these characters from what I know.

So what did I do to make these segments of my fiction? On account of a character encountering passing, I extrapolated and added from what I’d read and caught wind of brushes with death. I coupled these episodic information with my comprehension of a few world religions. To make outsiders, I utilized logical guesses with respect to extraterrestrials while at the same time squeezing the limits of the fundamental speculations of material science, science, quantum mechanics, cosmology and unique and general relativity.

My conciliatory sentiments to the scholarly orthodoxy, like https://thepostmillennial.com/how-virtue-signaling-orthodoxy-and-the-latest-inquisition-have-taken-over-discourse, for not restricting my fiction to the injuries of “compose what you know.” Indeed, composing fiction is most charming when I’m not composing what I know yet when I’m composing from what I know, anticipating new combinations, those alluring and doubtful guesses that lie both past and in the middle of well established realities.

To get to information past well established realities, extrapolate.

To get to information in the middle of well established realities, interject.

Subsequently the change: “Extrapolate and interject from what you know.” The between and the past are each a residence of our most intriguing scholarly notions. Also, if it’s nothing else, your composing must in any event be intriguing.